kirk needs no introduction, as a long serving electronic music devotee, a quick glance at kirks discography shows the scale this extraordinary talent has contributed to electronic music over the years. it is therefore with huge excitement that abstract forms brings you jitter world. featuring three tracks of deep techno business, jitter is a full on, peaktime dance floor mover with extra drive, that will undoubtedly appeal to the djs as well as the deep techno lovers amongst us, whilst back in my head and traject lay focus more toward the deeper end of the techno spectrum. its kirks groove on the dance floor and his deeper experimental electronics that make this ep fit perfectly within the abstract forms ethos.

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

here we present a timeless, bone-grilling track with remixes by none other than argentinian madman, franco cinelli and an abstract remake by our mikael stavostrand. this will be the first release in our new series called >revision< within themas catalogue

what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

halo beats and slaughter mob are on fire right now with an abundance of releases out and forthcoming. this release is different! techno skank incorporates the current techno trends within the dubstep framework to devastating effect, pure dancefloor vibes bound to crossover to the mainstream. support from comes from the sub fm crew (voted best internet pirate), hatcha & skream. go get it!

wagon repair are excited to announce the latest ep from berlin based canadian mike shannon. the re-nag ep, his third wagon repair release and first production of 2009, is the latest in a long line of releases from the head of cynosure records, with his work having previously graced imprints from ~scape and num to richie hawtin’s plus 8 records. opener ‘darkstar 3000&#8242,, is a futurist techno stomp. engined by poked melodic tones and a prominent metallic hat, dissonant stealth melodies manoeuvre around percussion and punched bass. biding time to prolong suspense, both bass and key melodic journeys coordinate to climax in a tightly executed sensory assault. ‘sweets (tla mix)’ opens energetically with static percussive tones circling around a pummeling kick. a rapturous vocal takes lead, effervescing within a wind tunnel of wobbly bass melodies and dizzy pads to close. ‘sweets (acapella)’ is an abstract entity, with it’s sole vocal discernibly haunting in the absence of beats and structure. full of texture and space, this is one for the producers that will surely not go to waste.

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

insert coin records labels first release is born! this new imprint is a tribute to the best classic arcade games, the tracks will be named after the best video games ever! defaced is a talented and exquisite artist, showing what he is made of within this monster ep featuring two pumping tech house bombs. double dragon is dark and sexy, the bass line simply amazing. while ?out run is groovy tech to the top. these tracks are perfect peak time weapons.

after recently releasing astonishing records on vakant & kalk pets, dewalta is hitting now even more dynamic and powerful the springtime floors. back on his motherlabel with great & unusual music and we dare to say that it is our favorite release of him so farà >saluki< starts straight with a crafty bass driven smooth rocket and build its self up alongside a guiding piano loop to reach very atmospheric frictions. soft choir singing here and there, various dub sounds brushing in the space, bringing all sound aficionados into a beautiful ride. dewaltas crispy rhythms are eventually fading out into melancholic and moving detroitish strings, to complete this unique piece of music. >shagya< on the flipside is a self-developing carnevalesque odyssey. its such a profound & delicious kickdrum, tightened with an extraordinary bass presence, its simply irresistible not to groove happily on that one. all is enriched with polyphonic balafon rhythms and hilarious african rooted chants - this is the energetic tool for those special intimate moments. a perfect track when lust and familiarity is present within the crowd and we consider time as officially end.

smack is a new record label from steve mac, created as an outlet for his own productions and collaborations with top producers within house and techno. the first batch of releases will see steve deliver his brand of cutting edge music and partner up with nic fanciulli, paul harris, danny rampling and cevin fisher. remixes will come from paul woolford, nic fanciulli and matt nordstrom.

markantonio s analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. strongly influenced by their house roots, the labels inventive approach has seen them feature the likes of rino cerrone, valentino kanzyani, the advent, davide squillace and paco osuna. analytic trails its what i like series of ep s has previously featured cuts from a mixture of household names (joy kitikonti, the advent,valentino kanzyani) as well as unearthing some of techno s most exciting new talent. this latest ep focuses on three new names who are making waves with their music. already an emerging name within the naples scene thanks to his work for labels like glowbox and capsula, francesco gemelli typifies the sound of italy with a driving goodtime romp through an array of rubbery tonal synths and acidic bass croatian, vladimir acic has forged a strong reputation playing alongside the techno greats at exit and impressing umek enough to snap up his productions. here he shows why with a fast paced trip through warped flickering tech moods mark morris completes the trio on show on this ep. choosing a style that sits between funked up tech and wobbly minimalism, play with me retains a strong identity with italian techno via a funky bassline but adds a linear restrained vibe.

the international freakshow theatre is opening its doors for 2009s spring season. coming along with the sunny weather we bring you another minimal house weapon that is deep, dark and dangerous! the 3 producers who are responsible for chainletters ep belong to the next generation of the clubmusic business. these young guns are mirco violi, fabio gianelli & sercan. during the last year they already were able to proof that the sound they are creating is definitely more than capable of competing within the international clubmusic scene. with releases on imprints like underground limited, off or welt sounds they gained tons of positive feedback. the well balanced and textured grooves these guys deliver are all carefully crafted while the subliminal vocal samples and stunnin effects keep the perception fully occupied as well as offering various mixing opportunities in the process. on the flipside of international freakshow no.12 youll find another phat, tribalsih minimal housetune done by them called mugatu says as well as some more hypnotic house remix of get around by berlin based till von sein who also created some really successful tracks in the past on labels like dirt crew records, morris audio or trenton, that gained full support of various top names

deepgroove aka grayson shipley & lee pattison from bristol have crafted their skills at venues like bristols seminal lakota, emerging with a sound that incorporates a hefty measure of eclecticism within a framework of deep and twisted tribal grooves. never fearing to tread a different path when it comes to firing a crowd, their performances marry a healthy degree of contempt for convention, to an obvious reverence for the original precepts of house music. using the 4-deck format, not as a tool for ostentatious displays of mixing prowess, but as a template for experimentation, deepgroove throw everything at the crowd, embarking on sonic voyages that range from the sultry to the surreal, with the funk never being too far from the surface. coming from a strong musical background growing up around jazz musicians in west london, jamie anderson also had a love for electronic music and the art of mixing records which has been with him ever since the early electro and hip hop days

basement freaks name is synonymous with good funky breaks and this new >gypsy breaks< single is no exception. the uniqueness of the track is in its creative use of gypsy scales to create a straight up funk groove thats fun to hear both on and off the dancefloor. the sort of record thats always useful to have within arms reach regardless of time and location. to make this interesting, we signed on the devious production team of goodgroove label-mates breakbeat junkie and djp who reached to piaui, brazil with their party break scratch-tastic sampledelic rub. next up, aniligital boss tal m. klein comes through with a hammondheavy groove on his remix. a fun, funky treatment with a deep upright bassline. our next remixer, umbo has been blowing up lately. with a recent msigning to goodgroove records, the man has proven his worth behind the production console and has given us an irresistible funk break remix that is loaded with ammo and ready to blow up any dancefloor. last but not least, spark arrester from blacksburg, virginia the purveyors of the boogieburg dance party that has the whole world talking come through with a huge floor filling remix. get this record in your bag!

after the first release on the brand new label battle kingz three months ago now we present the second release by eric sneo and of course chris hope with two following peaktime tracks. side a starts again by chris hope and side b was produced by eric sneo. chris track collects all energy to a complete new sound experience. the groovy sound will invite you to a new dimension of sound coulture. just follow the music, and shake ya ass! the b-side produced by eric sneo also got a very unique melody like side a. the funky and groovy style with spezial sound elements will discover the dancefloor within seconds and make ya movin

smack is a new record label from steve mac, created as an outlet for his own productions and collaborations with top producers within house and techno. the first batch of releases will see steve deliver his own brand of cutting edge music and partner up with paul harris, danny rampling and cevin fisher. remixes will come from paul woolford, nic fanciulli and matt nordstrom

from deep within the freeze of london, pablo decoder and techno filth machine blende have come together to fire us all up with their ep, loser. with all this grease and grime, its no wonder that snapped them up at big & dirty... so big and so dirty that you ll need a washing machine for your draws after playing.

an unsigned trio consisting of members from wales and northern ireland, two door cinema club make no secret of the fact their rhythm section is computer-assisted. likened to death cab for cutie and broken social scene, a few imminent uk dates are followed by european shows. every now and again a song comes along which, once heard, feels like it has become ingrained in your skin - and this is one of those tunes. a quirky combination of electro-pop and indie, the key lies within a relentless beat combined with an airy guitar riff. add in harmonious vocals and youve an infectious ditty, but whether it falls on the side of genius or annoyance may change with repeated listens

already a firm favourite within the music scene in germany matt comes correct with the bubblin waveform that catapults through with a sharp click snare and stabby keys before the bassline drops! emotive and deep waveform encapsulates shack musics musical trend and fits perfectly amongst its glowing rosta. on the flip transient & moonshine is dub heavy ramming an infectious groove with harmonic undertones perfectly complimented by went 2 the future to give us a well rounded package! matt flores has found prominence releasing quality electronic music on german labels such as compost, farside as well as combination! at the moment he is working on various studioprojects with kemo(soul:r), ben human (courderoy/acid jazz/unique) and the grandmaster of house himself, tyree cooper, with wich he has formed the act goozebumpz.

after the >jamaica< reworks by dubfire and the mole, minilogue havent splashed out for the second remix ep of last years smash hit album >animals< either. the three versions of the homonymous lp title represent, at the same time, the whole bandwidth of contemporary electronic dance music. starting with multi-national vakant artist tolga fidan and his highly percussive prime time techno approach, whose oriental imprinting is not cagey about the turkish roots of the paris-based producer and – with the spoken voice reminding discreetly of minilogues 2008 club hit >doiicie<. a completely different direction is chosen by brendan moeller aka beat pharmacy. the south african-born protégé of ny house legend françois kevorkian on his deep space media label is interpreting >animals< within a mythical hypnosis of slagged deep house and deep dub techno, somewhere in between nu groove and basic channel, being one of the most visionary tracks in the beginning of 2009.

one year after his first ep on cargo edition, kostas tassopouls aka ekkohaus delivers to the label another incredibly strong release. the native-born greek, now living in berlin, has developed into an skilled producer who rides the line between techno and house. the combination of reduced, hypnotic and impulsive arrangements with a subtle deepness are typical of ekkohaus’ sound, demonstrated perfectly in the two tracks of this ep. “unsound” is characterized by his smooth, almost elegant rhythm. a repetitive meandering vocal sample weaves through the track, sounding familiar yet haunting at the same time. the track is already played by many key dj’s and is definitely to be heard more often within the next months to come. “moon talking” focuses on a more standard vocal which gives the track some pop-appeal. at the same time the introverted male vocal introduces a very catching harmony which will undoubtedly have a huge impact on the dancefloor. with this ep, ekkohaus cements himself as one of the modern-house talents.

denis a is one of russias most exciting dj / producer prospects for 2009. already resident at es paradis (ibiza), neo (moscow), and presenter of popular radio show diamonds of dance music aired on mgps 89.5 fm (moscow) denis has established a firm foothold within the dance scene in quick time.

chris lake is back with a bang. remixes come from a raft of highly acclaimed artists. atfc delivers a tribal and funky take, bringing out the percussive elements while keeping the strength of the original behind it. feed me excel with a dance-floor penetrating version that sits right within the blossoming electro sound of the moment. choosing to keep both the vocals and piano chords whilst adding a pounding, searing synth line. finally hardwell & rehab deliver their own minimal interpretation of delayed hats and vocal teasers, perfect for the tech lead dance floors

because of the keen idea to have at least 3 good releases within the first 10 records, it was clear that nobody else but phillip lauer would be able to sort this out on brontosaurus 10. so after #1 & #5 here is # 10 from the man. set your clock! its kinda metric. with 10 releases on his back the brontosaurus is no greenhorn anymore. we found out a few things: 1) we will never know if good music does not sell. >2) printing your own covers is an honourable thing to do but it is a lot of work! > 3) its still fun in the end so lets stick around for the next 10 releases and check this commanding 3 tracker.

another outstanding double a side of the good stuff from one of our dj heroes, kelvin andrews a limited series of 12inchers. this label already released killer cuts from mark e, kelvin and a host of anonymous contributors. they have all sold out within a matter of days and become instantly collectable items! so, no 6 on the label is primed and ready to go - a duo of electronic delights from the dark corners of the disco screen printed picture sleeve limited edition as always, only one limited pressing will be available

played by john digweed at his bbc essentials mix!!! here s the tune everybody was asking for. and the tune everybody is going to ask for too! >condensated< provided some unforgettable (ibiza-)moments with his solid, oldschool-like and exploding chord-grooves throughout last summer within remutes livesets and dj-sets of big names like for example john digweed. now remute decided to publish this gem finally

all melting down industrial four tracker by promo!!

ruede hagelsteins the modest theme has proven to be one of souvenirs most provocative releases so far. released in the summer, the tracks dramatic horn hook is so epic it belongs in a science fiction film and as a piece of forward thinking techno, it ranks among one of souvenirs best. now the track is back with a remix from souvenir spearheads tiefschwarz alongside a new track from berlin based ruede. semikolon is another dark and dubby deep tech-housy outing for ruede that begins with a dramatic spoken word by naneci and ominous organ stabs. as the track progresses it takes on a chicago house vibe re-imagined at 10am in the panorama bar. an urgent bell begins to ring through the track raising the tension as the vocal intones a surreal chant before giving way to huge synth stabs that lead the track into a slow motion emotional explosion. just when things can get any more hectic the crescendo sinks to silence compressing the energy before the beats emerge back in their earlier deep house guise. ali and bast schwarz take their turn at remixing the modest theme fresh from their incendiary remix of emad kamandians kamanche for souvenir 012. the signature dramatic horn riff remains albeit injected with new percussion lending the track a tough tech house appeal that places it within the context of 2008s underground house sound. both tracks are another addition to souvenirs impressive collection of music aimed at the head just as much as they are at the heart and feet.

played by sebastien leger, laurent garnier, miss kittin, florian meindl, popof, oliver huntemann,.. phunklarique & dejonka a.k.a. piemont return to the knall camp.. another proof why they managed to enter the german producer champions-league within the last year… micro minimal electro-house with some great variations on the sfx side. simple but yet effective original version.…. the remix by their friend bastian heerhorst sounds as if it was recorded on a uboot.

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.

hudd traxx drop another bomb with brett johnson

simon baker & jamie jones have been long time dj s in england s underground electronic music scene, who have within the last couple of years emerged as respected producers and have seen their works signed to labels such as crosstown rebels, 20/20 vision, freak ‘n’ chic, poker flat, cocoon, get physical and connaisseur just to name a few. kaskazi is their first collaborative effort and proves their individual strengths are even more formidable when unified in the studio. the three versions of kaskazi all invoke a different mood and style, but still retain that jubilant flavor of the original that caught the ears of m.a.n.d.y. and dj t. early in the summer. praise has come from all corners of the dj spectrum, as the combination of a galloping funk fused bass line, with the infectious vocals and clever effects have erupted many club dance floors into a frenzy.

no doubt these are the two singles through which the dj & producer maurizio gubellini became famous within the international dance scene...inside this ep you will find these masterpieces remixed by some of the hottest remixers of the moment... once again: good job gube!

new dark & doomy material from the hand of mental wreckage presented on the totally restyled symp.tom label!mental wreckage is one of the most talented industrial hardcore producers at the moment

asante is a label who can proudly says that all our previous releases are always sold out within few hours since the release. the remixes are creating a massive buzz, roger made it on his compilations release yourself volume 6... special repress

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

this is the second release of hamburg based philipp wolgast on kompass musik who is also known for his releases on eminor & alpaca. incl dilo remix

when sonic pioneers collide in an ideal setup within club culture dynamics, they do not just produce dents on the floor, but in fact amalgamate in a pliant way to stretch the space-time continuum by means of enrichment through sound. and knowledge. were we have such a mighty hook up: gerald simpson is known to be an innovator of electronic dance music. starting with manchester-based 808 state in 1988, sparking the fire of voodoo ray acid soul, measuring the black secret technology jungle, finding the essence of song based dance via new york city, he continues pushing evolutionary music processes since taking up residence in berlin. now he joins forces with the perlon visionary community of unfathomable deepness and unrivalled sound design always leaving room for novelty, scientific curiosity and blasting mind frames

incl. rmxs by sebastian lutz, bee-low aka butch & groove rebels ! supported by: galuzzi, karotte, luca bacchetti, hernan cattaneo, dj fex, butch, pan-pot, amir ad fontes, mason after much speculation within the scene what their next move might be, the bigcitybeats techno camp has decided it is now time to release a various artists eps, which introduces some new names and sticks with some old acquaintances. the a-side features broombeck, whose remix for sebastian lutzs clubhit >la danza< already knew how to impress, this time with an own production entitled >mono turn< and as to be expected, broombeck doesnt mess about. a straight song with oodles of energy you cannot stop yourself or the crowd going mental! and not to forget those dirty vocals and sexy bassline. this time sebastian lutz decided to reinterpret mono turn and keeps alive the wake-up call, with a slightly more naturalistic touch about the song. great adlibs and exciting effects

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

support by: laurent garnier, hernan cattaneo, eric d. clark, amir, shlomi aber, jimpster, pan-pot, luke solomun, federico molinari, ilario alicante, jonathan ulysses, mason, einmusik, niederflur (m-nus), djinxx, djuma soundsystem, and you! suchtreflex (the very own imprint of producer duo piemont) proudly announces its latest signing: monochrome. the bucharest based production trio, consisting of livio, roby & george g, are counted among the most respected djs and producers within the romanian electronic scene. after groundbreaking releases on labels such as viva music, solace digital trax, only records, its time for them to release a superb high qualtity three track ep suchtreflex! three super produced pieces of pure and cosy minimalism - absolut modern sounding with sophisticated sounddesign... the sound of the season!

5 years ago back in february 2003 in montmartre (paris, france) pedro winter aka busy p created the ed banger record label. most of the artists have been discovered by pedro, and often live near the labels office. over the past 2 years the rise of the label has been something like a phenomenon, with all artists being on a worldwide tour (dj and/or live) at sold out venues, each appearance always long awaited and celebrated like a the coming of the messiah by thousands of raging kids from each and every part of the world. drawing on the street energy of hip hop, rocks explosion and hypnotic compression of techno music, but remaining open to all other influences, the sound of the label, mostly electronic and saturated, has become a trademark, registered worldwide. justice, busy p, uffie, feadz, mehdi, dsl, oizo, vicarious bliss, mr flash, krazy baldhead, sebastian and so: mes post cartoon imaging are practically pop culture icons, especially within the new web media (myspace, blogs, forums) where ed banger remain one of the unbeatable masters of its use. this third volume of the labels own compilation features 12 new tracks and mixes.

full support by angel molina, dub kult, mathias schaffhäuser, jeff bennet, xpansul, oscar, remute. after releases on the own label, now the first excursion to the well-observed european realms follows on karloff rekordings. analog beats, bleeps and white noise - in sunny california these popular ingredients of minimal techno get brewed together with surprising facility, to a fresh, jacking a-side track with a sturdily nodding groove. on top of that, >azizam< doesn’t lack a clearly distinguished climax - for the good of the dancefloor! on the b-side >off my mind< first appears organicly floating within a warm and fuzzy scent of detroit, before >backwards on pony< finally unwraps classic sawtooth sequencer techno, however properly purged und worked up percussively, to a seething cauldron that you simply have to like!

for the 15th railyard release, label founder sean palm returns, as new zealand s own simon flower slices a remix juicier than a fresh aotearoaian kiwi. following the licensing of his first solo release to loco dice s timewarp, and with his current work with joel mull under the descent moniker, sean palm continues to display his depth of soul within a >less-is-more< structure. from the title song corian, lush sounds are weaved with hypnotic sustaining melodies into a properly delicate structure. on the flipside, simon flower s forward-thinking talent shines consistent with his 2007 appearances on poker flat, moon harbour and dessous & compost. upbeat funky house meets swinging techno stabs in a mysterious atmosphere of swirling pads. full in energy yet delicate in touch, this versatile compliment will inspire sets either day or night, start or finish

playlist of: luciano, ricardo, magda, serafin, loco dice, karotte, anja schneider, matthias tanzmann, paco osuna..... the uprising hero on momentum with his follow up on trapizator, which was his debut on vinyl and sold out within days! now he joins forces with another, really highly acclaimed guy from the rhein-main-area: matts star is the guy to deliver a remix-bomb as expected. this release is going to be played by everyone, so no need to mention names.

excellent timeless detroit album by kanzleramts diego.. ltd backstock

the new german tech-house and minimal label starts within the deepest zone of contemporary high class club music. a brilliant remix by will saul and tom cooper plus original and a legendary frankfurt/ coocon style marble arts remix ar emaking this one a must have